Article
Avdeeff MK (2021) TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down’. Contemporary Music Review, 40 (1), pp. 78-98. https://doi.org/10.1080/07494467.2021.1945225
Book Chapter
AVDEEFF M (2020) “Girl I’m Tryna Kick It with Ya”:: Tracing the Reception of the Embodiment of Girl/Bedroom Culture in “7/11”. In: Beyoncé: At Work, On Screen, and Online. Indiana University Press, pp. 226-250. https://doi.org/10.2307/j.ctv1b742hs.13
Article
Artificial Intelligence & Popular Music: SKYGGE, Flow Machines, and the Audio Uncanny Valley
Avdeeff M (2019) Artificial Intelligence & Popular Music: SKYGGE, Flow Machines, and the Audio Uncanny Valley. Arts, 8 (4), Art. No.: 130. https://doi.org/10.3390/arts8040130
Book Chapter
Canadian Pop in the Digital Age: Pioneering Pathways to Stardom and Representation via Justin Bieber
Avdeeff M (2019) Canadian Pop in the Digital Age: Pioneering Pathways to Stardom and Representation via Justin Bieber. In: The Spaces and Places of Canadian Popular Culture. Canadian Scholars.
Book Chapter
The Music of Twilight: Battling for Authenticity
Avdeeff M (2016) The Music of Twilight: Battling for Authenticity. In: Intellect.
Book Chapter
Beyoncé: Social media, authenticity, and the presentation of self
Avdeeff M (2016) Beyoncé: Social media, authenticity, and the presentation of self. In: The Beyoncé Effect: Essays on Sexuality, Race, and Feminism. McFarland & Company.
Book Chapter
Young People’s Musical Engagement and Technologies of Taste
Avdeeff M (2014) Young People’s Musical Engagement and Technologies of Taste. In: Palgrave Macmillan UK, pp. 130-145. https://doi.org/10.1057/9781137287021_9
Article
Technological engagement and musical eclecticism: An examination of contemporary listening practices
Avdeeff M (2012) Technological engagement and musical eclecticism: An examination of contemporary listening practices. Participations, 9 (2), pp. 265-285. https://www.participations.org/09-02-17-avdeeff.pdf