Ezra E & Sillars J (2007) Hidden in plain sight: bringing terror home. Screen, 48 (2), pp. 215-221. https://doi.org/10.1093/screen/hjm017
This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of material privilege corroded by psychic unease opens up broader questions of the political deployment of fear and paranoid fantasy, and the dishonesities and displacements of postcolonialism.
Caché (Hidden); Michael Haneke; Terrorism; Colonial guilt; Haneke, Michael Criticism and interpretation; Fear Psychological aspects; Psychological thrillers (Motion pictures, television, etc.) France
Screen: Volume 48, Issue 2