Citation Ezra E & Sillars J (2007) Hidden in plain sight: bringing terror home. Screen, 48 (2), pp. 215-221. https://doi.org/10.1093/screen/hjm017
Abstract This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of material privilege corroded by psychic unease opens up broader questions of the political deployment of fear and paranoid fantasy, and the dishonesities and displacements of postcolonialism.
Keywords Caché (Hidden); Michael Haneke; Terrorism; Colonial guilt; Haneke, Michael Criticism and interpretation; Fear Psychological aspects; Psychological thrillers (Motion pictures, television, etc.) France