Article
Shi-nematic Afterimages: Semiocapitalism and Chinese cine-cities
Fleming D & Harrison S (2021) Shi-nematic Afterimages: Semiocapitalism and Chinese cine-cities. Journal of Chinese Film Studies, 1 (2), pp. 329-353. https://doi.org/10.1515/jcfs-2021-0015
Article
Fleming DH & Harrison S (2020) Selling (un)real estate with "Shi(势)-nema": manipulation, not persuasion, in China's contemporary cinematic-cities. Social Semiotics, 30 (1), pp. 45-64. https://doi.org/10.1080/10350330.2018.1526856
Article
The analogue strikes back: Star Wars, star authenticity, and cinematic anachronism
Fleming DH & Knee A (2020) The analogue strikes back: Star Wars, star authenticity, and cinematic anachronism. Celebrity Studies, 11 (2), pp. 205-220. https://doi.org/10.1080/19392397.2018.1563337
Book Chapter
Brown W & Fleming DM (2020) Introducing the End. In: The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia. Edinburgh: Edinburgh University Press. https://edinburghuniversitypress.com/book-the-squid-cinema-from-hell.html
Monograph
The Squid Cinema from Hell: Kinoteuthis Infernalis and the Emergence of Chthulhumedia
Brown W & Fleming D (2020) The Squid Cinema from Hell: Kinoteuthis Infernalis and the Emergence of Chthulhumedia [Kinoteuthis Infernalis: Chthulhumedia emerge]. Edinburgh: Edinburgh University Press. https://edinburghuniversitypress.com/book-the-squid-cinema-from-hell.html
Monograph
Chinese Urban Shi-nema: Cinematicity, Society, and Millennial China
Fleming DH & Harrison S (2020) Chinese Urban Shi-nema: Cinematicity, Society, and Millennial China. London: Palgrave Macmillan. https://www.palgrave.com/gp/book/9783030496746
Article
Celebrity Headjobs: Or Oozing Squid Sex with a framed-up leaky {Schar-JØ}
Brown W & Fleming D (2020) Celebrity Headjobs: Or Oozing Squid Sex with a framed-up leaky {Schar-JØ}. Porn Studies, 7 (4), pp. 357-366. https://doi.org/10.1080/23268743.2020.1815570
Book Chapter
Fleming D & Harrison S (2020) Introduction. In: Chinese Urban Shi-nema: Cinematicity, Society and Millennial China. London: Palgrave Macmillan.
Other
8 new introductions to The Squid Cinema from Hell (extended post)
Fleming D & William B (2020) 8 new introductions to The Squid Cinema from Hell (extended post). Edinburgh University Press. https://euppublishingblog.com/2020/08/13/8-new-introductions-to-the-squid-cinema-from-hell-extended-post/
Article
The Arrival of Yonic Sci Fi and its heretical-hysterical becomings
Zurawska P & Fleming D (2020) The Arrival of Yonic Sci Fi and its heretical-hysterical becomings. MAI: Feminism and Visual Culture, Fall 2020 (September) (6).
Article
Race and World memory in Arrival
Fleming D (2020) Race and World memory in Arrival. Science Fiction Film and Television, 13 (2), p. 247–267. https://doi.org/10.3828/sfftv.2020.13
Book Chapter
Fleming D & Gilardi F (2020) Niccolò Bruna's ethical process as social engagement: upholding human stories against a backdrop of globalization. In: Cristiano A & Coen C (eds.) Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-First Century. Edinburgh: Edinburgh University Press, pp. 1-280. https://edinburghuniversitypress.com/book-experimental-and-independent-italian-cinema-hb.html
Book Chapter
"What we do defines us": ScarJo as War Machine
Brown W & Fleming D (2019) "What we do defines us": ScarJo as War Machine. In: Loreck J, Monaghan W & Stevens K (eds.) Screening Scarlett Johansson: Gender, Genre, Stardom. London: Palgrave Macmillan, pp. 183-202. https://www.palgrave.com/gp/book/9783030331955
Article
Third-culture Huàllywood: or, 'Chimerica' the cinematic return
Fleming DH (2019) Third-culture Huàllywood: or, 'Chimerica' the cinematic return. Transnational Screens, 10 (3), pp. 184-200. https://doi.org/10.1080/25785273.2019.1658932
Article
Introduction: On Transnational Chinese Cinema(s), Hegemony, and Huallywood(s)
Fleming D & Indelicato ME (2019) Introduction: On Transnational Chinese Cinema(s), Hegemony, and Huallywood(s). Transnational Screens, 10 (3), pp. 137-147. https://doi.org/10.1080/25785273.2019.1681650
Article
Metaphoricity in the real estate showroom: Affordance spaces for sensorimotor shopping
Harrison S & Fleming D (2019) Metaphoricity in the real estate showroom: Affordance spaces for sensorimotor shopping. Metaphor and Symbol, 34 (1), pp. 45-60. https://doi.org/10.1080/10926488.2019.1591717
Book Review
Richard Eldridge (2019) Werner Herzog: Filmmaker as Philosopher
Fleming D (2019) Richard Eldridge (2019) Werner Herzog: Filmmaker as Philosopher. Review of: Richard Eldridge, Werner Herzog: Filmmaker as Philosopher, London: Bloomsbury, 2019, 221 pp. ISBN 9781350091672. Film-Philosophy, 23 (3), pp. 403-406. https://doi.org/10.3366/film.2019.0125
Article
Through a (First) Contact lens Darkly: Arrival, unreal time and the chthulucene
Fleming D & Brown W (2018) Through a (First) Contact lens Darkly: Arrival, unreal time and the chthulucene. Film-Philosophy, 22 (3), pp. 340-363. https://doi.org/10.3366/film.2018.0084
Book Chapter
Fleming D (2018) Becoming-Squid, Becoming-Insect and the Refrain of/from Becoming-Imperceptible in contemporary science fiction: Or ScarJo the sexed 'post human' starlet, and her all too human male counterparts. In: Daigle C & McDonald T (eds.) Posthumanisms Through Deleuze. Bloomington: Indiana University Press.
Article
Transmedial Projects, Scholarly Habitus, and Critical Know-How in a British University in China
Brown MS, Evers C, Fleming DH, Gilardi F & Reid J (2017) Transmedial Projects, Scholarly Habitus, and Critical Know-How in a British University in China. International Journal of Transmedia Literacy, 3, pp. 45-68. https://doi.org/10.7358/ijtl-2017-003-gila
Authored Book
Unbecoming Cinema: Unsettling encounters with ethical event films
Fleming D (2017) Unbecoming Cinema: Unsettling encounters with ethical event films. Bristol: Intellect. http://www.oapen.org/search?identifier=630213; https://doi.org/10.26530/OAPEN_630213
Website Content
Fleming D (2017) "We make Reality in the editing room!" Global Documentary Filmmaker Gives Workshops and Screenings at UNNC. Institute of Creative and Digital Cultures (ICDC) Website [Workshop and Screenings] 2017. http://www.nottingham.edu.cn/en/icdc/events.aspx
Website Content
Fleming D & Gilardi F (2017) Hossein Khandan talks to IC Staff & Students at UNNC about being a "Filmmaker Without Borders" and making his new Chinese-Iranian film in Ningbo. Institute for Creative and Digital Cultures webpage, 2017.
Book Review
Cinema Approaching Reality: Locating Chinese Film Theory
Fleming D (2017) Cinema Approaching Reality: Locating Chinese Film Theory. Review of: 'Cinema Approaching Reality: Locating Chinese Film Theory', Fan, Victor, Minneapolis: University of Minnesota Press 2015, pp.296 ISBN 9780816693573. Film-Philosophy, 21 (1), pp. 146-151. http://www.euppublishing.com/doi/abs/10.3366/film.2017.0038; https://doi.org/10.3366/film.2017.0038
Book Review
Li, David Leiwei, Economy, Emotion, and Ethics in Chinese Cinema: Globalisation on Speed.
Fleming D (2017) Li, David Leiwei, Economy, Emotion, and Ethics in Chinese Cinema: Globalisation on Speed.. Review of: 'Economy, Emotion, and Ethics in Chinese Cinema: Globalisation on Speed', Li, David Leiwei, New York: Routledge 2016, xv+229pp, ISBN 9781138120969. Comparative Literature Studies, 69 (3), pp. 351-353. https://doi.org/10.1215/00104124-4164519
Book Review
The Grace of Destruction: A Vital Ethology of Extreme Cinemas
Fleming D (2017) The Grace of Destruction: A Vital Ethology of Extreme Cinemas. Review of:
by Elena Del Río, London: Bloomsbury, 2016, 267 pp. ISBN 9781501303029. Symposium: Canadian Journal of Continental Philosophy, 21 (1). http://www.c-scp.org/2017/07/16/elena-del-rio-the-grace-of-destruction.html
Website Content
Are the Chinese "Losing Their Gestures?"
Fleming D & Harrison S (2016) Are the Chinese "Losing Their Gestures?". Blog posts from Contemporary Chinese Studies at University of Nottingham Ningbo China, 09.12.2016. https://blogs.nottingham.ac.uk/chinesestudies/2016/12/09/chinese-losing-gestures/
Article
Fleming D (2016) The Architectural Cinematicity of Wang Shu and the Architectonic Cinema of Jia Zhangke: Diagrammatically decomposing the 'main melody' in monu-mental assemblage art. Journal of Urban Cultural Studies, 3 (1), pp. 33-53. https://doi.org/10.1386/jucs.3.1.33_1
Article
Fleming D (2016) Unethical Morality in "Documenting" Terrorism: Terror at the Mall, Nowhere to Run, Wolves of Westgate. SubStance, 45 (3), pp. 66-83. https://muse.jhu.edu/article/634219
Other
May A Billion Guerrilla Filmmakers Bloom: (Non)filmmaker and media philosopher visits Ningbo
Fleming D (2016) May A Billion Guerrilla Filmmakers Bloom: (Non)filmmaker and media philosopher visits Ningbo. Ningbo Guide, 10 (8), pp. 48-49. http://ningboguide.com/ngmags/2016/ningboguide201601.pdf
Article
Voiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Void
Brown W & Fleming D (2015) Voiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Void. Film-Philosophy, 19, pp. 124-145. http://www.film-philosophy.com/index.php/f-p/article/view/962
Book Review
Murray, Ros. Antonin Artaud. The Scum of the Soul
Fleming D (2015) Murray, Ros. Antonin Artaud. The Scum of the Soul. Review of: Murray, Ros. Antonin Artaud: The Scum of the Soul. Basingstoke: Palgrave Macmillan, 2014. 190 pp. ISBN 9781137310576. Forum for Modern Language Studies, 51 (4), pp. 503-503. https://academic-oup-com.ezproxy.stir.ac.uk/fmls/article/51/4/503/2367578; https://doi.org/10.1093/fmls/cqv074
Book Review
Fleming D (2015) Flusser, Vilém. On Doubt. Review of: FLUSSER, VILÉM.On Doubt. Ed. Siegfried Zielinski. Trans. Rodrigo Maltez Novaes. Minneapolis: University of Minnesota Press (Flusser Archive Collection), 2014. 105 pp. ISBN 978–1–937561–24–6. Forum for Modern Language Studies, 51 (4), pp. 499-499. https://academic-oup-com.ezproxy.stir.ac.uk/fmls/article/51/4/499/2367564; https://doi.org/10.1093/fmls/cqv064
Article
A Skeuomorphic Cinema: Film Form, Content and Criticism in the "Post-Analogue" Era
Fleming D & Brown W (2015) A Skeuomorphic Cinema: Film Form, Content and Criticism in the "Post-Analogue" Era. Fibreculture Journal, 24, pp. 81-105, Art. No.: 176. http://twentyfour.fibreculturejournal.org/2015/06/04/fcj-176/
Article
Fleming D (2014) The Creative Evolution and Crystallisation of the 'Bastard line': Drifting from the Rive Gauche into Suzhou River. Journal of Chinese Cinemas, 8 (2), pp. 135-147. https://doi.org/10.1080/17508061.2014.915563
Article
Martin-Jones D & Fleming D (2014) Deleuze and Chinese Cinemas. Journal of Chinese Cinemas, 8 (2), pp. 93-98. https://doi.org/10.1080/17508061.2014.915559
Article
Fleming D (2014) Affective Teaching for Effective Learning: A Deleuzian pedagogy for the (corporate era and) Chinese context. Educational Philosophy and Theory, 46 (10), pp. 1160-1173. https://doi.org/10.1080/00131857.2013.803239
Other
Journal of Chinese Cinemas Special Issue: Deleuze and Chinese Cinemas
Martin-Jones D (Editor) & Fleming D (Editor) (2014) Journal of Chinese Cinemas Special Issue: Deleuze and Chinese Cinemas. Journal of Chinese Cinemas, 8 (2). http://www.tandfonline.com/toc/rjcc20/8/2?nav=tocList
Article
Deleuze, the '(Si)neo-realist' Break, and the Emergence of Chinese Any-now(here)-spaces
Fleming D (2014) Deleuze, the '(Si)neo-realist' Break, and the Emergence of Chinese Any-now(here)-spaces. Deleuze Studies, 8 (4), pp. 509-541. https://doi.org/10.3366/dls.2014.0168
Article
Fleming D (2013) Charcoal Matter with Memory: Images of Movement, Time and Memory in William Kentridge's "Charcoal Drawings for Projection". Film-Philosophy, 17 (1), pp. 402-423. http://www.film-philosophy.com/index.php/f-p/article/view/355
Article
Fleming D (2013) The Method Meets Animation: on performative affect and digital bodies in Aronofsky's performance diptych. International Journal of Performance Arts and Digital Media, 9 (2), pp. 275-293. https://doi.org/10.1386/padm.9.2.275_1
Book Review
Badiou's Cinema and Badiou and Cinema
Fleming D (2013) Badiou's Cinema and Badiou and Cinema. Review of: Cinema, Alain Badiou, Cambridge: Polity Press, 2013, pp. 320, ISBN 9780745670027 Badiou and Cinema, Alex Ling, Edinburgh: Edinburgh University Press, 2010, pp. 224, ISBN 9780748644483. Film-Philosophy, 17 (1), pp. 467-479. http://www.film-philosophy.com/index.php/f-p/article/view/917/886
Article
A Rubbish Idea: The material dump, and casting trash talk in a new light
Fleming D, Hernandez L, Tillotson J, Evers C, White A, Martin P, Mooney M & Willcocks K (2013) A Rubbish Idea: The material dump, and casting trash talk in a new light. Trash Culture Journal, 1 (1), pp. 4-14. https://trashculturejournal.files.wordpress.com/2013/05/a-rubbish-idea.pdf
Conference Proceeding
The Bicycle Thieves of Rome and Beijing: Deleuze and (Si)neo-Realist Time-images?
Fleming D (2012) The Bicycle Thieves of Rome and Beijing: Deleuze and (Si)neo-Realist Time-images?. In: Jihai G & Patton P (eds.) Deleuze in China: Proceedings of the 2012 Kaifeng International Deleuze Conference. Kaifeng International Deleuze Conference, Henan University. Henan: Henan University Press, pp. 136-149.
Book Review
Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier
Fleming D (2012) Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier. Review of: Lost in Translation: Orientalism, Cinema and the Enigmatic Signifier, Homay King, Durham: Duke University Press 2010, pp. 205, ISBN 9780822392927. Film-Philosophy, 16 (1), pp. 251-255. http://www.film-philosophy.com/index.php/f-p/article/view/887/839
Book Chapter
Fleming D (2012) Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or "What can a digital body do?". In: Martin-Jones D & Brown W (eds.) Deleuze and Film. Deleuze Connections. Edinburgh: Edinburgh University Press, pp. 192-209. https://edinburghuniversitypress.com/book-deleuze-and-film.html
Other
Chen Kaige: Famous stars shoot movie in Ningbo
Fleming D (2011) Chen Kaige: Famous stars shoot movie in Ningbo. Ningbo Guide, 5 (7), pp. 16-17.
Article
Deterritorialisation and Schizoanalysis in David Fincher's Fight Club
Brown W & Fleming D (2011) Deterritorialisation and Schizoanalysis in David Fincher's Fight Club. Deleuze Studies, 5 (2), pp. 275-299. https://doi.org/10.3366/dls.2011.0021
Book Review
Damian Sutton's 'Photography, Cinema, Memory: the Crystal Image of Time'
Fleming D (2010) Damian Sutton's 'Photography, Cinema, Memory: the Crystal Image of Time'. Review of: Photography, Cinema, Memory: The Crystal Image of Time, Damian Sutton, Minneapolis: University of Minnesota Press, 2009, 296pp. ISBN 978-0-8166-4738-5. Screen, 51 (4), pp. 447-450. https://doi.org/10.1093/screen/hjq036
Book Review
Elena del Rio, Deleuze and the Cinemas of Performance: Powers of Affection
Fleming D (2010) Elena del Rio, Deleuze and the Cinemas of Performance: Powers of Affection. Review of: Deleuze and the Cinemas of Performance: Powers of Affection, Elena del Rio, Edinburgh: Edinburgh University Press, 2008, vi + 240 pp. ISBN 978–0–7486–3525–2. Forum for Modern Language Studies, 46 (1), pp. 111-112. https://doi.org/10.1093/fmls/cqp147
Book Chapter
The 'Pill-Films' of Alejandro Jodorowsky: Expanding the Head-Film into the cinematic body
Fleming D (2009) The 'Pill-Films' of Alejandro Jodorowsky: Expanding the Head-Film into the cinematic body. In: Cheung R & Fleming D (eds.) Cinema, Identities and Beyond. Cambridge: Cambridge Scholars Publishing, pp. 183-199.
Edited Book
Cheung R & Fleming D (eds.) (2009) Cinema, Identities and Beyond. Cambridge: Cambridge Scholars Publishing. http://www.cambridgescholars.com/download/sample/58208
Book Review
Review: Patricia Pisters (2003) The Matrix of Visual Culture: Working with Deleuze in Film Theory
Fleming D (2009) Review: Patricia Pisters (2003) The Matrix of Visual Culture: Working with Deleuze in Film Theory. Review of: The Matrix of Visual Culture: Working with Deleuze in Film Theory, Patricia Pisters, Stanford: Stanford University Press, 2003, 303 pp. ISBN 0 8047 4028 3.. Film-Philosophy, 13 (1), pp. 145-155. http://www.film-philosophy.com/index.php/f-p/issue/view/9
Book Review
Powell & Pressburger: A Cinema of Magic Spaces
Fleming D (2007) Powell & Pressburger: A Cinema of Magic Spaces. Review of:
Andrew Moore, London, I.B Tauris & Co Ltd, 2005, 272pp. ISBN 978-1780763774. Journal of Popular Film and Television, 34 (4), pp. 189-190. https://doi.org/10.3200/JPFT.34.4.188-191
Book Review
Fleming D (2007) Filmosophy. Review of:
Daniel Frampton, London: Wallflower Press, 2006. 254 pp. ISBN 1–904–76485–1/76484–3. Forum for Modern Language Studies, 43 (4), pp. 473-473. https://doi.org/10.1093/fmls/cqm083
Book Review
Shohini Chaudhuri, Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia
Fleming D (2007) Shohini Chaudhuri, Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Review of: Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia, Shohini Chaudhuri, Edinburgh: Edinburgh University Press, 2005. vii + 199 pp. ISBN 0–748–61798–1/61799–X. Forum for Modern Language Studies, 43 (1), pp. 95-95. https://doi.org/10.1093/fmls/cql126