Research output

Article in Journal ()

Dakar 66: Chronicles of a pan-African festival: Musée du Quai Branly, Paris February 16–May 15, 2016 (Exhibition Review)

Citation
Murphy D (2017) Dakar 66: Chronicles of a pan-African festival: Musée du Quai Branly, Paris February 16–May 15, 2016 (Exhibition Review), African Arts, 50 (1), pp. 80-82.

Abstract
First paragraph: In April 1966, thousands of artists, musicians, performers, and writers from across Africa and its diaspora - including Duke Ellington, Wole Soyinka, and Aimé Césaire - gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts. Held against the backdrop of African decolonization and the push for Civil Rights in the United States, the event was widely hailed as the inaugural cultural gathering of the black world. The brainchild of Senegalese poet and president Léopold Sédar Senghor, the festival was organized by the Société Africaine de Culture, an offshoot of the Présence Africaine publishing house, piloted by Senghor's compatriot Alioune Diop.

StatusPublished
AuthorsMurphy David
Publication date04/2017
Publication date online03/02/2017
Date accepted by journal01/09/2016
PublisherMIT Press for the Regents of the University of California
ISSN 0001-9933
LanguageEnglish

Journal
African Arts: Volume 50, Issue 1 (2017)

© University of Stirling FK9 4LA Scotland UK • Telephone +44 1786 473171 • Scottish Charity No SC011159
My Portal